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Bookbinding Equipment

Book Binding

Within this site we at Fine Cut have what is probably the most comprehensive range of finishing tools and accessories anywhere in the world.

Working closely with John Mitchell a distinguished Gold Finisher we have compiled a unique catalogue of designs, some of which date as far back as the sixteenth century. With John's help we have been able to determine which century, in his opinion, each tool is designated. This should help the many binders wishing to follow the trends of finishing and design for a certain era.

We hope this catalogue will give you, the reader, as much pleasure in selecting and planning your finishing tool designs as it gave us, the authors, producing it.

Here are just a few of the many kind comments received by us:

Scott Alexander says:

"Because of the increasingly high value of fine books, especially antiquarian ones, there is increasing pressure on binders and restorers, by collectors and dealers, for the early return of their treasures. Restorers often need to have tools specially cut to a high standard of accuracy and, in turn, are forced to ask for expedited delivery.I was in this position a few months ago when I was restoring an historically important late eighteenth century binding. I supplied fragments of the original gold tooling and Fine Cut supplied me with exactly matching tools within a very short period, much to my satisfaction and relief."

John Mitchell says:

"Over the last eight years I have watched the progress of Fine Cut as Finishing Tool Engravers with a keen and personal interest. Their quality of engraving and precision of craftsmanship has now reached an excellence second to none. The fineness of engraving makes the finishing tools a joy to use."

James Brockman says:

"Finishing Tool Engravers have worked passively and in close association with bookbinders for centuries. They have always been adaptable with their designs which have evolved to suit ever changing styles. Fine Cut continue this association by offering a wide range of designs from earlier times, combined with a willingness to experiment and engrave modern or alternative designs in both decorative tools and type. Binders should not forget the debt owed to the highly skilled engravers both now and for centuries past."